3/16/2024 0 Comments Georgia on my mind f major chords![]() Insufficient Pro Credits Add 3 credits for only 12.99 Add to Cart Cancel. Written by Hoagy Carmichael, Stuart Gorrel Key: G D D E F (one step down) F (half step down) G (original key) G (half step up) A (one step up) A B C C Introdution: G D/F Em Cm C G7 D7/9 D6/9 G7 B7 Em7 Em7/D C7 C Georgia, Georgia, the whole day through G7 E7 A7 D7/9 B7 E7 A7 D7/9b Just an old sweet song keeps Georgia on my mind. Instrumental Solo, and Piano/Chords in F Major. Print and download Georgia on My Mind sheet music by Dietmar Steinhauer arranged for Piano. Passing chords in the lower registers work particualy well after blues licks and lines in the right hand. Instrumental Solo, and Piano/Chords in F Major. ![]() We use dominat passing chords to create energy and forward motion which drives the tune forward. The melody also lends itself to pasing chords. To create a full sounding arrangement, we then balance this with use of bass notes in the lower registers of the piano. Throughout the form we incorporate bluesy fills and licks in the upper registers. We use all 3 of these option to create a varied arrangement. ![]() Chorus Am F Am F Other arms reach out to me Am F C D7 Other eyes smile tenderly. Verse 2 C E7 Am Am7/G F Fdim Georgia, Georgia, a song of you, C Am Dm Comes as sweet and clear G7 C F C E7 as moonlight through the pines. The minor to major movement can be voiced at the top of the chord, in the middle, or at the bottom as a bass line. C G/B Am Just an old-sweet song, Dm G7 C F C G+5 keeps Georgia on my mind. The minor line cliche appears multiple times in the form and so we explore the different ways we can navigate through this common progression. To start this tutorial, we play through the form again adding some bigger, more interesting voicings and applying more advanced harmony including altered voicings and upper structure triads. In this lesson we take it a step further by applying this scale to the tune Georgia On My Mind. Ray Charles’ performance of this tune has become the definitive recording but. The A sections are major and then in the bridge the harmony switches to the relative minor. The tune follows a 32 bar, A1-A2-B-A2 form. In part 1 of Georgia, we introduced the concept of the major blues scale and the extended blues scale. In this lesson we create a soulful arrangement for the tune Georgia on my mind.
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